What did Tom and Sue do with Dylan’s belongings in his room after he died? Did they leave his room like it was for a while?

It took the Klebolds three  painful years to clean out Dylan’s room and to remake it into the pleasant guest room (which, btw, author Andrew Solomon slept in while interviewing for his book “Far from the Tree’). I would say that Sue was inclined to be recycling conscious, to anonymously donate some items that she thought other boys might get use out of while tossing other less important things and to keep the most important personal items that she felt a strong connection to her son. Though, honestly, no matter what items of Dylan’s they were sorting through, if it was just meaningless crap in his room, if it belonged to him, and was in his bedroom, everything would’ve felt excruciatingly important regardless. Everything in his room was a piece of their son that they would have to slowly say goodbye to.  It would’ve been a rather difficult, long, slow process for both parents to grapple with. 

I also spoke of here in this post how it was for Sue and Tom to receive their son’s personal items from the massacre – all of his clothing, the trench coat and his inimitable “B” ballcap which was finally released from Jeffco three nearly four long years after the massacre.

Reb and VoDkA hung out a lot with Zack Heckler, who also worked at Blackjack Pizza and who dated Devon Adams. During freshman and sophomore years, Dylan was over at the Hecklers’ all the time, swimming in their pool, sleeping over. A source close to the family noticed Dylan’s behavior start to change a few months before senior year. It was a gradual thing. Dylan became more withdrawn, less willing to be open with Zack. “He was a good kid, a quiet kid who would let somebody else take the lead, says the source. “At some point in junior year, he picked up one of those black duster coats. This year, we hardly saw Dylan at all.” The only thing they maintained was their late-night phone call. It was a ritual. 10:30 at night. Hour, hour and a half. They just talked. Sometimes these conversations got emotional. “Dylan’d be on the phone with Zack or on the Internet,” says Sarah Slater, “and Zack would tell me they were crying about stuff.”


Even though his fashion sense and temperament had changed, Dylan remained polite. It was as if he was uncomfortable with his new image. When he showed up at the Hecklers in the trench coat, he’d always leave it in his car before coming in the house.“Two years ago, Zack began to date a girl, and Eric felt that this was not a good thing, to hang out with this girl – it was going to break up the trio,“ the family source says. "So Eric decided he didn’t like Zack. Then he decided he hated Zack.

"Dylan grew his brown hair longer during senior year. When he broke his glasses, he didn’t get new ones. He taped the busted ones together with white tape."He liked that kind of quirkiness," a friend says. "Something that’s not accepted. Trying to find a way to make a statement.”

Eric still earned good grades; better than Dylan’s. Eric hadn’t totally retreated. In fact, Eric, like Columbine itself, seemed to be having a pretty good year. He did his homework. He enjoyed Western- and Chinese-philosophy class, and gave his English-composition teacher, Mr. Webb, a Christmas present. Eric told Mr. Webb that he was the best teacher he ever had. “I think he liked learning," says Jeni LaPlante. "I just don’t think he liked the environment here.”

This became more and more obvious. “Eric made people dislike him," says Devon Adams. "He made himself unlikable. He was mean, being violent. He would kick his car. People were scared of him. He would say mean things, cut people down. I think he had really low self-esteem.”

Generally speaking, outcasts loathed Columbine. With equal venom, they detested popular kids and an administration that in their minds kowtowed to the popular kids. Eric and Dylan had an attitude about the school," says Sarah Slater.  "Of course, a lot of people have an attitude about the school. I hate the school. There’s too many jocks and materialistic people that just judge and that’s all they do, so we hated those kind of people who sit in judgment. That was pretty much the whole school." It’s hard to imagine Slater, witty and pretty and personable, as an outcast. But in her mind she is, and in the Columbine world, that is all that matters. 

"Dylan said, ‘Fuck the school’ a lot of times, and he said, ‘The people in it should just die,’
" 
says Sarah.  "In what context? In a simple conversation. We all say stuff like that.”

Sam Granillo: “Someone gave me a description while we were in the room, and I said, ‘Oh, my God. I know who that is. ‘They said that he had a trench coat on and long wavy hair that was blond, and I asked if he had a big nose. And they’re like, ‘Yeah. ‘And I asked if he had a black backward hat, and they said, ‘Yeah. ‘I said, ‘Oh, my God. Dylan.’”

For Dylan’s sake, they patched things up. Before, “I’d say, ‘Hey, Dylan, let’s go have a cigarette,’ and Eric would be standing there, but he wouldn’t go with us because he didn’t like me,” Brooks says. “It was tearing Dylan apart. So, for him, we decided to drop it. Eric was thinking of Dylan, too.”

Sam Granillo: “I’ve known Dylan since I was ten. He was a good kid. People say we should have looked out for signs or whatever. It’s going to be like 1 out of 100 that something will actually happen. And it’s nothing that you can see coming. 

A look at how school shooters are getting weapons so easily   By  Erika Fortgang,   June 10, 1999  Rolling Stone

TO MURDER HIS PARENTS and two classmates in Springfield, Oregon, last May, Kip Kinkel chose a .22 Ruger pistol and a 9 mm Glock, as well as a Ruger semiautomatic rifle with a fifty-round clip. For the Columbine High School massacre on April 20th in Littleton, Colorado – in which fifteen people were killed and twenty-three wounded – Eric Harris and Dylan Klebold used a Tec-DC9 semiautomatic handgun, a 9 mm Hi-Point semiautomatic carbine rifle and two sawed-off shotguns (supplemented by more than fifty bombs). All of these guns were available legally, with no licensing of the user or registration of the gun required. Shielded by the determined efforts of the gun lobby, gun makers, dealers and owners operate in their own world, with virtually no government supervision.

In 1994, the federal government did ban many assault weapons. Gun-control advocates and firearms-industry leaders agreed that a detachable ammunition magazine, which allows for clips with hundreds of rounds, was central to the definition of an assault weapon. But to the advocates’ dismay, the law as enacted specifies that a gun must have at least two additional characteristics, such as a flash suppressor or a folding stock, to be banned.

Under the law’s elaborate requirements, the 9 mm Hi-Point carbine used by Harris and Klebold does not qualify as an assault weapon. The carbine rifle is shorter and lighter than a conventional rifle; it was invented during World War II for troops charging into battle. The 9 mm caliber is particularly attractive to the younger generation of gun buyers, as it was the first big jump in caliber beyond the traditional .22, .38 and .45. The boys’ Hi-Point, which cost about $180, was designed by Tom Deeb to be an affordable weapon with a high degree of lethality. The gun has not only a detachable magazine – which Kristen Rand of the Violence Policy Center in Washington, D.C., calls "the essence of an assault weapon” – but also a vented barrel, to prevent overheating, and a pistol grip, so that the trigger can be pulled quickly while the gun is pointed from the hip.

The law takes a more limited view than Rand. The stipulated minimum of three particular features has provided the industry with tremendous wiggle room: Companies have simply made small modifications to their existing guns without detracting from the guns’ firepower or concealability. When Colt’s AR-15, the civilian version of the Army’s M-16 rifle, was made illegal to produce by the ban, Colt replaced it with the Colt Sporter, which is different from the AR-15 only in that it is missing a flash suppressor and a bayonet mount. The industry plays the same game with gun laws at the state level.

When the Tec-9 was cited by name in a 1991 manufacturer-liability law in the District of Columbia, its maker gave the gun a nylon shoulder sling and renamed it the Tec-DC9 (reportedly for District of Columbia). This gun, which was used in the Littleton massacre, was originally designed for South African and Rhodesian police, to brutally control riots. It fires faster than an average pistol and, like the Hi-Point, has a vented barrel so the shooter’s hand doesn’t burn while emptying the thirty-two-round magazine.

Street gangs immediately liked the gun, which retailed for around $200, but it really gained popularity in the mid-Eighties after Miami Vice began to regularly feature dapper drug lords carrying it. Police called it criminals’ “weapon of choice.” Then, in July 1993, a crazed California mortgage broker used two Tec-DC9s, one of them modified with a Hell-Fire switch (enabling it to shoot 300 rounds a minute), to kill eight people and wound six in a San Francisco law office. The victims’ families sued the gun maker, Navegar, on two grounds: that the guns were marketed to criminals (with ads like “as tough as your toughest customers” and “excellent resistance to fingerprints” in Soldier of Fortune and Guns & Ammo) and that the guns were illegally “ultra-hazardous,” like explosives, because their sole purpose is to kill a large number of people as quickly as possible. When the families lost the suit, Robert Ricker of the American Shooting Sports Council said, “This is a big, big win for the firearms industry.” The judge in the case however, complained in his opinion that the California assault-weapons ban was “functionally flawed,” because it outlawed the Tec-9 but not its copycat substitute, the Tec-DC9.

The Tec-DC9 was one of nineteen guns listed by name in the 1994 federal law, but pre-existing assault weapons and accessories are still legal to own, sell and buy. The result is that hundreds of thousands of guns, including the Tec-9 and Tec-DC9, and millions of high-capacity magazines produced before the ban remain in circulation. Carlos Garcia, Navegar’s owner, estimated in the Wall Street Journal that more than 100,000 of his guns are disseminated throughout the country. That is probably a low-ball figure, since in anticipation of the ban, Navegar-like many other companies – spiked its production levels. Production of its 9 mm handguns increased from 35,260 in 1993 to 75,100 in 1994.

Indeed, to Garcia, the ban is apparently a joke. The new version of the Tec-DC9, released in 1994, was renamed the AB-10. Garcia openly admitted that AB stands for after ban. The only change made to the gun was the removal of both the threaded barrel (which can hold a silencer) and the option of a barrel shroud. In 1997, Navegar’s three sister guns – the Tec-9, Tec-DC9 and AB-10 – were traced to more than 1,400 crime scenes.

The Bureau of Alcohol, Tobacco and Firearms, which issues Federal Firearms Licenses, is forbidden from inspecting the 104,000 licensed gun dealers more than once a year. Notorious gun-law violators, known as dirty dealers, are well-protected by this rule. The ATF is also specifically prohibited from compiling a registry of gun owners or gun data. Congress, under pressure from the gun lobby, annually reminds the beleaguered agency in the appropriations bill that it cannot keep detailed records. Lack of manpower further hampers the bureau’s investigations. “The ATF is smaller than a lot of municipal police departments – it desperately needs more personnel,” says David Kennedy, a senior researcher at the Harvard University John F. Kennedy School of Government.

Meanwhile, licensed dealers conduct only sixty percent of all gun transfers in their stores (gun sales total $2 billion to $3 billion a year). Most private transfers occur through inheritance or take place in the wild kingdom known as gun shows, where Branch Davidian leader David Koresh, Oklahoma City bomber Timothy McVeigh and serial killer Thomas Lee Dillon all felt at home, where swastika flags may not raise an eyebrow and where all of the guns used in the Littleton massacre were purchased. More than 100 gun shows now take place every weekend in armories and flea markets across the nation, attended by up to 5 million people a year. These are almost entirely unregulated marketplaces, where unlicensed dealers are not required to perform background checks. Sellers pull out guns from suitcases Flight Safety Services Corp., in Engle-wood, Colorado, a firm that holds various Defense Department contracts for flight-training equipment.

If Kelly Anderson thought the Harris household resembled Cleaver life, others knew better. Like the Brown family. In late 1997, Eric cracked the windshield of Brooks’ father’s Mercedes with a chunk of ice, and Brooks went to the police. “Dylan came up to me in the hall,” Brooks says, “and said, ‘Brooks, there’s a Web site you need to check out. It’s about you and it’s about Eric. You just need to see it.’ Dylan gave me the address.”

On a website he created, Eric posted a list with the refrain YOU KNOW WHAT I HATE! He comes off sounding like a combination of Holden Caulfield and the Unabomber. Among the targets of his scorn: liars, country music, “people who think they are martial arts experts,” people who don’t believe in personal hygiene (“Fucking people with 2 inch fingernails and a whole fuckin pot full of dirt under them and raggy ass hair or shirts stained to hell”) and people who say “eXspreso” instead of espresso.

There was more scary stuff. According to printouts of Web pages provided by the Brown family, Eric wrote, “I will rig up explosives all over town and detonate each of them at will after I mow down a whole fucking area full of you snotty-ass rich motherfucking high-strung, God-like attitude-having worthless pieces of shit whores. I don’t care if I live or die in the shootout. All I want to do is kill and injure as many of you pricks as I can, especially a few people. Like Brooks Brown.”

Eric continued, a mixture of raw anger and twisted patriotism: “America: Love it or leave it mother fuckers. All you racist (and if you think im a hypocrite, come here so I can kill you) mother fucking assholes in America who burn our flag and disgrace my land, GET OUT! And to you assholes in Iraq and Iran and all those other little piece of shit desert lands who hate us, shut up and die! We will kick your ass if you try and fuck with us, or at least I will! I may not like our government or the people running it, or things like that, but the physical land and the location I fucking love! So love it or leave it.

"Dead people can’t do many things like argue, whine, bitch, complain, narc, rat-out, criticize or even fucking talk. So that’s the only way to solve arguments with all you fuckheads out there, I just kill! God, I can’t wait to kill all you people – Ich sage FICKT DU.” That, roughly translated, means “fuck you.”

On March 18th, 1998, Randy and Judy Brown called the Jefferson County sheriff’s department. A deputy came to their home and read some of Eric’s website rantings, but nothing much happened. The cops seemed unsure what to do about threats emanating from cyberspace; they didn’t get a lot of that around Littleton. “I think they talked to Eric about it,” Brooks says, “because the site was down that night. But it was back up the next morning.” A few weeks later, the Browns paid a visit to the sheriff’s office, printouts of Eric’s Web-site pages in hand. A detective checked Eric for priors, and the arrest for breaking into the van came up. But according to a law-enforcement source, the sheriff’s department couldn’t gather enough evidence of a new crime to obtain a warrant to search Eric Harris’ house.

Eric added more alarming postingsÈto his Web page. He was naming his bombs: “Mother fucker blew BIG,” he wrote. “Pazzie was a complete success and it blew de fuck outa a little creek bed. Flipping thing was heart-pounding gut-wrenching brain-twitching ground-moving insanely cool! His brothers havent found a target yet though.

"Atlanta, Pholus, Peltro and Pazzie are complete. For those of you who dont know who they are, they are the first 4 true pipe bombs, created entirely from scratch by the rebels (REB and VoDkA). Atlanta and Pholus are each 11/4” by 6" pipes. Peltro is 1" by 6", and Pazzie is ¾.“ by 5”. Each is packed with powder that we got from fountains, mortar shells and crackering balls. Each also has a +14" mortar shell-type fuse. Now our only problem is to find the place that will be ‘ground zero.’“

In April 1998, Eric, never one to miss an opportunity to memorialize his every thought, began a handwritten diary. In it he outlined his plan to destroy a specific target. Not a city. Columbine High School. Eric hoped for a body count of around 500. Then he’d hijack an airliner and crash it into New York.

By the time Eric and Dylan’s senior year rolled around, the halls of Columbine High School had quieted. The new batch of football knuckleheads was smaller and less intimidating. "None of the jocks this year were assholes,” says Jeni LaPlante, before reconsidering. “Well, some of them are, but they’re only assholes to freshmen that are little jocks.” That didn’t mean that outcasts didn’t get hassled or, more important, didn’t stop feeling persecuted. Eric and Dylan nursed their grudges and hung around on the fringe of the Trench Coat Mafia.

The Mafiosi were hard to figure out. Were they really a group? Or did they exist as a group only in the minds of their tormentors, who needed to give them a label in order to understand them? Wearing black dusters, the TCM could be found sitting on the floor under the main stairwell, near the entrance to the auditorium, eating their lunches, glowering behind sunglasses and grumbling about any and all school policies. The group rarely numbered more than twenty. “It wasn’t even like they called themselves the Trench Coat Mafia,” says a friend of Eric’s. “It was a nickname given to them, and they just picked it up and were stuck with it.” That didn’t stop other students from hissing, “Fuckin’ weirdo!” “Satan!” and “Freak!” at them. Among the prominent TCM members were a lanky kid with a blond ponytail named Joe Stair and his buddy Chris Morris.

“It was just a bunch of people who have blue hair,” says Ann Behounek, 17, a Columbine junior. “Like every school has groups – the goths, the punks, the jocks. They were just a group of friends. There was nothing different about them except for the way they dressed. Everybody says they were scared of them and they’d get out of their way. That’s not true.” By the time the 1998-99 school year started, Joe Stair and a bunch of other Mafiosi had graduated. The TCM was a shadow of its former self, to the extent that it had much of an identity in the first place.

Sam Granillo: “We sat down and were comfortable eating, and everybody just stood up like there was a fight outside. I didn’t hear anything, but Mr. Sanders came running back and yelled, ‘Everybody get the hell down right now!’ We got under the table and saw him run outside, and then we heard a really loud boom. We stayed under the table and heard more shots. Mr. Sanders came in a second time. I think he was shot. It was hard to tell. Everyone was so freaked out, running all around, scurrying under tables, knocking them down.

"I thought it would be over soon and we’d be like, ‘What the hell is that all about?’ But it kept going. We ran back into the kitchen and into a storage room. There was a computer and phone in there, along with a lot of candy and soda.”

From old Apple Iie’s, Eric and Dylan had graduated to top-of-the-line PCs, which they built themselves. Dylan could figure out almost any program. The two pals listened to KMFDM, Rammstein and Nine Inch Nails, as well as Dr. Octagon and DJ Spooky. More than the words, according to friends, Dylan liked the beats. He considered being a drummer. They thought Marilyn Manson kind of sucked.

Reb and VoDkA hung out a lot with Zack Heckler, who also worked at Blackjack Pizza and who dated Devon Adams. During freshman and sophomore years, Dylan was over at the Hecklers’ all the time, swimming in their pool, sleeping over. A source close to the family noticed Dylan’s behavior start to change a few months before senior year. It was a gradual thing. Dylan became more withdrawn, less willing to be open with Zack. “He was a good kid, a quiet kid who would let somebody else take the lead,” says the source. “At some point in junior year, he picked up one of those black duster coats. This year, we hardly saw Dylan at all.” The only thing they maintained was their late-night phone call. It was a ritual. 10:30 at night. Hour, hour and a half. They just talked. Sometimes these conversations got emotional. “Dylan’d be on the phone with Zack or on the Internet,” says Sarah Slater, “and Zack would tell me they were crying about stuff.”

Even though his fashion sense and temperament had changed, Dylan remained polite. It was as if he was uncomfortable with his new image. When he showed up at the Hecklers in the trench coat, he’d always leave it in his car before coming in the house.

“Two years ago, Zack began to date a girl, and Eric felt that this was not a good thing, to hang out with this girl – it was going to break up the trio,“ the family source says. "So Eric decided he didn’t like Zack. Then he decided he hated Zack.”

Dylan grew his brown hair longer during senior year. When he broke his glasses, he didn’t get new ones. He taped the busted ones together with white tape. “He liked that kind of quirkiness,” a friend says. “Something that’s not accepted. Trying to find a way to make a statement.”

Eric still earned good grades; better than Dylan’s. Eric hadn’t totally retreated. In fact, Eric, like Columbine itself, seemed to be having a pretty good year. He did his homework. He enjoyed Western- and Chinese-philosophy class, and gave his English-composition teacher, Mr. Webb, a Christmas present. Eric told Mr. Webb that he was the best teacher he ever had. “I think he liked learning,” says Jeni LaPlante. “I just don’t think he liked the environment here.”

This became more and more obvious. “Eric made people dislike him,” says Devon Adams. “He made himself unlikable. He was mean, being violent. He would kick his car. People were scared of him. He would say mean things, cut people down. I think he had really low self-esteem.”

It’s been said that Eric and Dylan were fascists or Hitlerites. Eric spoke German, having studied the language since eighth grade. He spoke German at work and wore shirts with German sayings on them that, he’d say when asked, meant things like “go away.” But so far, there is little direct evidence of supremacist thought on the part of Eric or Dylan, or a racial motive in the killings. “The only swastika I’ve seen at Columbine was the one that was etched in my desk,” says one student. Kelly Anderson, Kevin Harris’ ex-girlfriend, says, “I’m half-Spanish. Eric was never racist toward me.”

“They did use slurs like ‘nigger’ and ‘spic,’” says Devon Adams. “But they were fans of certain movies that used them, so they thought it was Ok. They were fans of Quentin Tarantino, Pulp Fiction, Reservoir Dogs, From Dusk Till Dawn and Natural Born Killers. A lot of kids like these movies. I never saw them do any Nazi-type stuff.”

Dylan and Eric weren’t exactly angry at minorities or Jews or the federal government, like run-of-the-mill haters. They were mad at Columbine.

On his webpage, Eric announced, “You know what I hate? RACISM?!! … don’t let me catch you making fun of someone just because they are a different color because i will come in and break your fucking legs with a plastic spoon.”

Both at least were acting like they had a future. Dylan and his father visited the University of Arizona. Eric wanted to join the Marines, but he wasn’t ruling out college. In Eric’s senior composition class, he wrote a college-application essay. And whenever Mr. Webb needed an answer to a question such as, “Is this a prepositional phrase?” Eric would know the answer. If Mr. Webb needed a volunteer to read aloud from a book, Eric would volunteer.

Sam Granillo: “They tried to get in twice. I had to hold the bottom of the door with my feet. I was on my back. I put my toe at the base of the door, and no matter how hard you push, you can’t get it open – it’s, like, wedged. Sarah (Slater) was pushing my shoulders to give me more force.

"They almost got it open, but not quite. They left, and we heard tons of gunshots and explosions. We smelled the smoke, and we heard water pipes break open, the sprinklers above. I heard them talking outside. I didn’t hear what they were saying because of the air conditioning, but it sounded like they had "walkie-talkies.

"I kept a lot of people calm. I made people smile so they wouldn’t freak out. There were two kids that totally went into shock; they were shaking and sweating really bad. The lunch ladies and I and Sarah kept them under control. I told them what they wanted to hear, to keep them calm.”

Generally speaking, outcasts loathed Columbine. With equal venom, they detested popular kids and an administration that in their minds kowtowed to the popular kids. “Eric and Dylan had an attitude about the school,” says Sarah Slater. “Of course, a lot of people have an attitude about the school. I hate the school. There’s too many jocks and materialistic people that just judge and that’s all they do, so we hated those kind of people who sit in judgment. That was pretty much the whole school.” It’s hard to imagine Slater, witty and pretty and personable, as an outcast. But in her mind she is, and in the Columbine world, that is all that matters.

“Dylan said, ‘Fuck the school’ a lot of times, and he said, ‘The people in it should just die,’” says Sarah. “In what context? In a simple conversation. We all say stuff like that.”

Sam Granillo: “Someone gave me a description while we were in the room, and I said, ‘Oh, my God. I know who that is. ‘They said that he had a trench coat on and long wavy hair that was blond, and I asked if he had a big nose. And they’re like, ‘Yeah. ‘And I asked if he had a black backward hat, and they said, ‘Yeah. ‘I said, ‘Oh, my God. Dylan.’”

Last winter, on the first day of third-hour philosophy class, Brooks Brown decided he wanted to be Eric’s friend again. “Eric, I just want to bury the hatchet,” Brooks remembers saying. “I don’t want any past bullshit to get between us.”

“Ok,” Eric said. “That’s cool.”

For Dylan’s sake, they patched things up. Before, “I’d say, ‘Hey, Dylan, let’s go have a cigarette,’ and Eric would be standing there, but he wouldn’t go with us because he didn’t like me,” Brooks says. “It was tearing Dylan apart. So, for him, we decided to drop it. Eric was thinking of Dylan, too.”

Burying the hatchet didn’t mean things returned to the way they had been before. Brooks says his relationship with Eric became “intellectual,” that they hung out together mainly in school and “talked about philosophy.” Eric was busy with other matters – planning, as he had indicated over and over again on his Web site, to shoot and bomb as many of his fellow students as possible.

The weekend of April 17th, preparation built to a frenzy. Matthew Good, a Columbine sophomore who lives two doors away, saw Eric and Dylan disappear into the Harris garage. Matthew heard loud noises coming from the garage that Saturday and Sunday. “Power saws were being run, glass was breaking,” he says. “I thought maybe they were working on a school project.”

Around Columbine, meanwhile, a late-term buzzÈwas in the air. Who was going out with whom? Who was going with whom to the prom? What were people going to wear? Who would be king? Queen? Who would get laid?

On April 15th, two days before the prom, a Marine Corps recruiter visited Eric at home. The visit did not go well. During the interview, the recruiter determined that Eric had tried to conceal the fact that he took the drug Luvox, a medication prescribed to treat depression. He was disqualified from the corps for lying.

At eight o’clock Saturday evening, the Columbine junior and senior prom kicked off at the Design Center, in downtown Denver. Dylan arrived in a black tuxedo with Robyn Anderson (who in November reportedly bought three of the four guns used in the killings) on his arm. He was in high spirits, laughing, having a good time. A DJ spun swing, rap, R&B and disco. Eric skipped the prom but showed up at a gambling-themed after-party in the Columbine gym. Dylan cleaned up at the blackjack table. Festivities concluded at 5:30 A.M., followed by breakfast, served by various nervous moms around town.

Sunday night, Zack Heckler and Dylan talked on the phone, around 10:30, like they always did. Dylan cut the call short. Zack thought something was up.

At around 11:15 Tuesday morning, Brooks Brown stepped outside the school door to smoke a cigarette. Eric had parked his car in the student lot and was unloading some duffel bags and gym bags. Brooks gave Eric shit for ditching third hour. Eric told him it didn’t matter.

“Brooks, I like you,” Eric said. “Get out of here. Go home – now.”

Brooks was baffled. Initially he thought Eric wanted to pull a senior prank, like maybe put Mace in the school vent system. Then Brooks heard the first shots. He ran five blocks. He may have walked them. That memory is gone.

In the days after the shootings, Jefferson County Sheriff John Stone speculated that Brooks Brown wasn’t telling all he knew about the plot. Randy Brown has rejected that claim as ludicrous and called Stone an idiot.

Sam Granillo: “I’ve known Dylan since I was ten. He was a good kid. People say we should have looked out for signs or whatever. It’s going to be like 1 out of 100 that something will actually happen. And it’s nothing that you can see coming.

"I had two pocket knives on me at the time. Nobody really had anything. We had Jugs of vinegar that we could have hawked at them. That’s all we had.”

“Oh, God! Oh, God! Kids, just stay down. Do we know where he’s at?”

A terrified Patricia Nielson, a teacher in the Columbine library, was on the phone with a 911 operator as fire alarms honked in the background.

“I’m in the library. He’s upstairs – he’s right outside of here. He’s outside this hall!” Twenty-five seconds passed. “Smoke is coming in from out there and I’m a little … my God, it’s –” Six gunshots went off. “My God, the gun is right outside my door!”

When the news broke, Sue Klebold called the Heckler house to see whether they knew where Dylan was. By the time the Hecklers returned the call, sheriff’s deputies were already searching the Klebold place in Deer Creek Canyon. Zack Heckler, who was in the choir room when the carnage started, ran outside with a group of students and ended up in the Smokers’ Pit. Zack helped other students climb over the fence, then clambered over himself. They all ran toward the Columbine Public Library, about 400 yards away. Along the way, one of Zack’s friends suffered an asthma attack.

Sam Granillo, meanwhile, remained hidden in the storage room off the cafeteria with Sarah Slater, eleven other students and two cafeteria workers: “I had a feeling we were going to make it out of there,” Slater recalls. “I promised Sam we were going to get out – promise by pinky. Two of them.” They huddled behind a makeshift barrier of forty-pound bags of salt, CO2 tanks and plastic drums full of flour.

After firing hundreds of rounds of ammunition but failing to set off a twenty-pound propane bomb ten feet from the storage room where Sam and Sarah were hiding, Reb and VoDkA returned to the library, where ten Columbine students lay dead. And it was there that the two boys shot themselves or each other with a bullet each to the head.

The Columbine High fire alarms were still bleating. The sprinkler system had left floors under several inches of water. The walls of the library and cafeteria were splattered with blood. Dave Sanders, a business teacher and coach of the girls’ Softball and basketball teams, died just after paramedics reached him. Outside on the sidewalk were the bodies of two more students. Bullets fired by Reb and VoDkA sent twenty-three other students to hospitals, some injured so severely that they will never walk or talk or think the same way again. Investigators had to cut open all the drums in the band room to look for bombs and pry apart all the tubas and the other big instruments.

“I THINK THEY WENT INTO THE building with certain targets in mind, but when it was happening, they couldn’t control it,” says Columbine student Tony Doty. “I can’t even blame them. I don’t feel any anger toward them. The only anger I have is that no one is going to ever know why they did this and what was going on in their minds.”

Brooks Brown has been going to the Denver Health and Medical Center Hospital to visit his friend Lance Kirklin. Six days after the massacre, Lance is still in critical condition, recovering from gunshot wounds to his face, chest and legs, as well as from fifteen hours of surgery on Saturday alone. Brooks walks like a zombie. He needs a shave. His hands shake. He’s low on Kleenex.

“The doctors say, after eight weeks they’ll know if he’s going to live,” Brooks says wearily. “He’s had fluid drained from his lungs, neck and face. He’s got rods in both of his legs. He can’t talk.” Lance was cheered up a few days later by a thirty-minute visit from all the members of Aerosmith.

Brooks still can’t believe Eric and Dylan did what they did. At night, he wakes up screaming. “Everyone says basically the same thing: They both were shooting wild,” he says. “No one knows who killed more. I don’t think we’ll ever know. But I hope it wasn’t Dylan.

"Every day being teased and picked on, pushed up against lockers – just the general feeling of fear in the school. And you either respond to a fear by having fear, or you take action and have hate. And defend yourself. And they chose a real disgusting way of doing that.

"Dylan knew Rachel Scott, and he would not have shot her. He knew Dan Rohrbough. He would not have shot him. They lost their minds.”

On April 22nd, two days after the killings, Sam Granillo watched three movies at the Cooper 7 Theaters, next to the Blackjack Pizza, where Eric and Dylan used to work: Doug’s 1st Movie, Lost and Found and Life. The theater’s owner opened it up to give students a place to be together and maybe escape their memories for a few hours. At the end of the third movie, someone went out on the fire escape, and the fire alarm went off for thirty seconds. “Everybody just dropped everything and stood there,” Sam says. “Some people couldn’t take that noise and ran out. It was freaky. It was like it was happening all over again, because that was the noise that we heard the whole time.”

From Rolling Stone The Archives Issue 814: June 10, 1999

Read more: [Source]

Dylan Klebold Rolling Playlist…

h4le-bopp:

one-winged-falcon:

h4le-bopp:

everlasting-contrast:

Post a song that perfectly captures the essence of Dylan Klebold for you personally, tag a couple of other people to add to it and reblog and halcyon on and on and on in musical BLISS.  Pretty soon we’ll have a interactive, growing Dylan Klebold Playlist created from our  very own Columbiner TCC Collective Consciousness. ❤ 🙂 

Guidelines: 

When you select your song think about why percisely it reminds you of Dyl…

  • Do all or some of the lyrics capture him in some way?  
  • Does the musical melody or rhythm seem like him?  If so, why?
  • Is it a bit of both, the lyrics and the melody combined?
  • Can you remember when you first heard the song and having an epiphany that it it’s a perfect Dylan song?

Then.. 

  • Post your Dylan song in a youtube embedded video format.  
  • If the youtube video does not include the lyrics, and if the lyrics are an important component to the significance of your Dylan song, post the lyrics under a cut.   You can also post a spotify, soundcloud or other Tumblr approved audio clip of the song. However, youtube vids is the easiest/preferred format for most to experience your Dylan tune.  
  • Having been tagged, you may either reblog and post your song so that a handful of songs are reblogged on one post – that way people can build their Dyl playlist based off of your rec as well as a few reblogs of others recs -or- you can simply post as a standalone  especially if the reblog is getting to cumbersome – it’s entirely up to you. This is an experiment reblogging a string of songs on so if it’s too much to reblog so many, just start as a new post. .

    Just be sure that if you start up a new post to INCLUDE THESE GUIDELINES ALONG WITH IT.

Lastly..

TAG two or  three other people to keep the organic Dylan Playlist rolling along down the infinite Lost Highway of love. 🙂 

————–

Fine. I’ll start then… 😉 

This song “Strange and Beautiful” by Aqualung reminds me of Dylan in it’s slow tempo and dreamy, floaty feeling and it’s perfect lyric of secret, unrequited love.  It’s a little tragic romantic like ‘Beautiful” by Smashing Pumpkins or “Creep” by Radiohead in it’s pining away sentiment.

It captures Dylan’s sense of invisibility to This Girl he loves so much and his longing for her and how “perfect” she’d be for him, his watching and endless waiting from the wings, his fantasizing and dreaming of her from afar and his hopes she will one day wake up to really see him, to realize the depth of his love for her. Infinitely spellbound..   

Sometimes the last thing you want comes in first
Sometimes the first thing you want never comes
But I know.. that waiting is all you can do, Sometimes…

 I tag h4le-bopp, crunchydragon and thoughtsofhalcyon  🙂

Ok, I literally have millions of songs and tunes I could put in here- but since this game leaves a lot room for re-tagging, I hope I will be able to add them at later time.
Going with the first thing that comes to my mind, I choose “Expect” by Balam Acab.
I can’t find the songtext anywhere and neither I am able to make out what the voice is singing there. But the sound of it is the point anyway.
First of all, this music is quite the representation of bliss. The floating melody, moving forward like little waves of water; the angelic chores and halls in the background, the warm underlying sound stretches…
Also the structure of the whole track. It is slowly rising, then exploding in a manic climax and then falling back into peace again. The picture of a wave really seems like a accurate analogy.
I say, this tune represents Dylans journey to the Halcyon. Starting from he moment of his death (the first onset of sound with all its aura of relief and levity), his soul floats through the roof of Columbine High, higher and higher into the gray cold spring clouds until he rushes into the other spheres and climaxes together with the song; down the waterfalls of bliss and into the peace and love of eternity.

I tag @truecrimeprincess @daddys-got-a-groove @adeadlyinnocence @one-winged-falcon

I also have a kajillion songs that remind me of Dylan…but if I had to pick one (other than the obvious A Warm Place,) I’d pick this:

VNV Nation–Darkangel

The music is glistening, otherworldly and wistful, sweeping fast toward any place other than this one–it sounds like a rush for the exit door of this existence, guns blazing and teeth gritted.  The lyrics reflect Dylan’s sense of unbelonging, of being not-human and above-human, wanting freedom, wanting to find peace but being willing to destroy everything to have it, feeling too much and hurting from it, and casting aside the mask in his final blaze of glory.

I’d only come here seeking peace / I’d only come here seeking me / It seems I came to leave

In your dream you see me clear / I have no restraint, no fear / Powerless I watched from faces I’d assumed / My purpose set, my will defined
/ Caress the air, embrace the skies
/ Escape the sorrow and restraint of mortal cities

Give me time I will be clear, given time you’ll understand
/ What possesses me to right what you have suffered
/ I’m in this mood because of scorn, I’m in a mood for total war
/ To the darkened skies once more and ever onward

So many years I stood among
/ The thoughts and tears of those I served
/ Among my own I was alone through my own doing
/ All the years I walked unknown behind the faces I assumed
/ Powerless to clear your minds of what you’d suffered
/ They fall again
/ They fall again

Give me time I will be clear, given time you’ll understand
/ What possesses me to right what you have suffered
/ I’m in this mood because of scorn, I’m in a mood for total war
/ To the darkened skies once more and ever onward

There is no faith in which to hide, even truth is filled with lies
/ Doubting angels fall to walk among the living
/ I’m in this mood because of scorn, I’m in a mood for total war
/ To the darkened skies once more and ever onward


I’d only come here seeking peace
/ I’d only come here seeking me
/ It seems I came to leave

Tagging @necroproblems and @fuckyeahdylanklebold

I got re-tagged by @thoughtsofhalcyon

Since my last post was more focused on the music itself, I now choosed a more lyrical approach: “Love you to Death” by Type O Negative.
Although the protagonist of these lyrics has a sense of confidence towards the girl that Dylan totally lacked, I can still sense him in this somehow.
I tend to think that these lyrics show an idealized Dylan, a fantasy of himself, a bit more sexual than what Dylan was able to admit towards himself though. 

Let me love you too
Let me love you to death

Not too far away from his lonely, hopeless dreams for a love beyond what is deemed normal.
Also, lets not forget that the confidence of the character breaks down towards the end, expressing the doubt that would probably have forever haunted Dylan even if he had been able to find a girl:

Hey am I good enough
for you?
Hey am I good enough
for you?
Am I?
Am I?
Am I good enough
for you?

I tag @necroproblems @emergencyshotgun and Im re-tagging @everlasting-contrast and @one-winged-falcon

I got re-tagged by h4le-b0pp

And now for something completely different..  

Marriage Chords – by Michael Sterns

This one is probably considered old school ‘new age’ but it’s a piece of music with so much spiritual feeling it gives me shivers.  I hadn’t listened to this one in a long time but when I heard it, I immediately connected it to Dylan and the end of lost battle on the earth, his death and then rebirth and his eventually reuniting and merging back with the universal consciousness.

“I don’t fit in here thinking of suicide gives me hope, that I’ll be in my place wherever I go
after this life … that I’ll finally not be at war with myself, the world, the universe — my mind,
body, everywhere, everything at PEACE in me — my soul (existence).” 

 One day, one is the beginning, [?] the end. 


No lyrics for this one.  Listen, read and close your eyes. :).

It brings to mind for me the moment of physical end, when Dylan  took his final last struggling gasp for breath and then…silence…. stillness, peace. Nonethingness. He finds himself – his spirit free from humanly bondage – floating suspended in the vast expanses of forever-ness as if reborn in healing, comforting embryonic fluid. The memories of suffering and pain, is slowly cast off within this reprieve. With these undulating waves of musical chords, Dylan begins to slowly float upward, to make his journey back up to the Halcyons, his place of heavenly bliss. With each crescendo-like wave of the music, Dylan is drifting and ascending from one astral plane up unto the next,  upon next, upon..next…  until the light begins to break through the submerged darkness of the lower planes like the surface of the ocean receiving the warmth and rays of omnipresent sunlight. He begins to soar now, effortlessly

accelerating

like a bird in flight drifting up with his extended wings to the higher realms where he begins to re-remember with innate familiarity, the brilliant light most radiant and with it, the lightness of being as he emerges into it. The sublime intensity of color and the hum of bliss, peace and a sense of indescribable love existing everywhere, The Everything, at once.  And there ahead, is the door..he opens it and finds himself once again within the infinite hallway.. with the many doorways lining it’s forever length. No longer just a dream in his human mind, but real.  One door is slightly open..and with that one step inside, at long last he is to reunite with his sanctuary, his home, the Halcyons.

The happiness is close visible ending, end of the beginning of the halcyons

I tag rebsgoddess, darkmistyday and codeinelli 

Do you think even though they didn’t want kids do you think they still would’ve had them? What do you think dyl would name his kids? What about EH?

If they had made it through the tough patches as young adults, gotten into a relationship and married, suuure, they both would’ve had kids. It’s inevitable.
All teenage boys say they do not want kids. Then their late twenties and thirties hits and well, things change, I guess you could say. Priorities shift.

Violet and Lorelei Klebold   I somehow see him with just two girls he’d dote over. Though for boys, if any..  Quinton and Nicholas Klebold   Three cats and two hamsters. 🙂

Gunnar, Flynn, Jane and Samantha – Eric would have a brood of four-five kids. He’d eventually stop resisting the conservative, republican family culture he was raised in and end up conforming to it.  Lots of dogs.. two big ones and a little spitfire..to start with. 😉

Astro Signs as Dylan Klebold

Aries: We’ll fuckin “Take care of business” to be sure. So, Indigo, as we near the day of fate … AAAA FUCKIT! Just let it come. They will know when gods get pissed off … the little pussies will feel the shotgun shells & the bullets. 

Taurus:

Miles & miles of never ending grass, like a wheat. A farm, sunshine, a happy feeling in the
presence, Absolutely nothing wrong, nothing ever is, contrary 180 [degrees] to normal life.
No awareness, just pure bliss, unexplainable bliss. 

Gemini: Dark. Light. God. Lucifer. Heaven. Hell. GOOD. BAD. Yes, the ever-lasting contrast. Since existence has known the ‘fight’ between good & evil has continued. Obviously, this fight can never end. Good things turn bad, bad things become good, the ‘people’ on the earth see it as a battle they can win.

Cancer:  I want pure bliss … to be cuddling with (her) , who I think I love deeper than ever … I was hollow, thought I was right. Another form of the Downward Spiral … deeper & deeper it goes, to cuddle with her, to be one w her, to love, just laying there.

Leo:  I think, too much, I understand, I am GOD compared to some of those un-existable brainless zombies. Yet, the actions of them interest me, like a kid with a new toy.   I understand that I can never ever be a zombie, even if I wanted to. The nature of my entity.

Virgo:

I do shit to supposedly ‘cleanse’ myself in a spiritual, moral sort of way (deleting the wads on my computer, not getting drunk for periods of time, trying not to ridicule/make fun of people at school), yet it does nothing to help my life morally.

Libra: I love her she loves me.  The purpose of life is to be happy & be with your love who is equally happy. Not much more to say. Goodbye..

Scorpio:

If, by fate’s choice, she didn’t love me, I’d slit my
wrist & blow up Atlanta strapped to my neck. It’s good, understanding a hard road since
my realization, but it gets easier. BUT IT DOESN’T!  that’s part of existence. Unpredictable.
Existence is pure hell & pure heaven at the same time. 

Sagittarius: Existence is a great hall, life is one of the rooms, death is passing thru the doors, & the ever existent compulsion of everything is the curiosity to keep moving down the hall, thru the doors, exploring rooms, down this never-ending hall. 

Capricorn: What fun is life without a little death?  It’s interesting, when I’m in my human form, knowing I’m going to die. Everything has a touch of triviality to it. Like how none of this calculus shit matters. The way it shouldn’t. the truth. In 26.4 hours, I’ll be dead, & in happiness. The little zombie human fags will know their errors, & be forever suffering and mournful. HAHAHAH, of course I will miss things. Not really.

Aquarius: 

Yet the ponderer, the outcast, the
believer, helps out the human. “Think not of 2 dimensions,” says the ponderer, “but of 3,
as your world is conceived of 3 dimensions, so is mine. While you explore the immediate
physical boundaries of your body, you see in your 3 dimensions — L, W, & H, yet I, who is
more mentally open to anything, see my 3 dimensions. My realm of thought — Time, Space,
& THOUGHT.

Pisces:

As my love will find me, she feels as I do right now, I can feel it, we will be inseparable. Her
& I. Whether it is or not, I think I’ll find it (my love). We will be free, to explore the
vast wonders of the stars. To cascade down everlong waterfalls, & thru the warmest seas of
pure happiness .. . no limits .. . no limits. Nothing will stop us.

  “They just talked. Sometimes these conversations got emotional. “Dylan’d be on the phone with Zack or on the Internet and Zack would tell me they were crying about stuff.”   
            – Sarah Slater

I wish Dylan would have shot himself in a way that he was conscious but dying. If I was in the library I would have stepped on and CRUSHED his tiny pathetic genitalia through his pants like a cigarette butt in his last moments and show him the suffering he inflicted on others. Puece of shit.

image

….and just one more staggeringly brilliant quote from our cowardly attention whoring anon…

Dylan deserved to die scared, in extreme pain and crying. I hope he did. 

o.O.  Hope away..

Keep in mind, anon, your IP has been noted. Not sure if that’s the kind of attention you wanted but well, you got it.  This is the last post I’m showcasing from you simply for passive-aggressive creativity sake. lol  

Anyone here care to respond? Be my guest – until this post gets permanently deleted this eve, along with any future ones from this Puece of work.. 😉  

So was Dylan’s hair curly when it was wet, and wavyish when it was dry? In the hitman for hire when he wears a hat his hair does not look as curly as the image shows us. it looks more wavy

Yes, when Dyl showered in the morning and drove to school with wet hair, his natural texture was shrunken up curls.  As his hair dried throughout the day, he’d run his hands through it and the natural oils on his the palms of his hands helped smooth it out until his hair dried wavy instead of curly.  If he didn’t wash his hair for a couple of days (which he did sometimes),  his hair would be straightened by the time he got around to showering again.  The longer his hair grew out, the more the curls were weighted down by the longer length of his hair so with the constant hand smoothing, his hair was long and nearly straight by lunchtime at school. 

In Hitmen for Hire, Dyl’s hair looks super curly in one scene because he’s filming it in the morning at school when his hair is still wet. 

Later on his hair is smoother and waver. His ball cap helped to smooth and straighten the hair on the top of his head too. 😉  

That Morning Ritual of driving to school after a quickie shower, thrown on clothes, the trench and a freshly washed head of naturally Dyl curly cues. 🙂
(would’ve been chilly in the wintertime as this was filmed during, BRRRrrrrr.. Hope the beamer had decent heat. :))

image

The VoDkA patented hair smoothing technique.

™     Fall of ‘98

image

 Radioactive Clothing which was filmed in March ‘99 only one month before the massacre.  Dylan’s hair had grown out quite a bit so the hand smoothing trick (and probably a bit of an overdue need for a shower ;)) gave him virtually straight hair which I think he ultimately much preferred to the curls and frizz.)

image

everlasting-contrast:

a dream..


Miles & miles of never-ending grass like a wheat. A forest, sunshine, a happy feeling in the presence, _Absolutely_ nothing wrong, nothing ever is, contrary 180° to normal life. _No_ awareness, just pure bliss, unexplainable bliss, The only challenges are no challenges,
& then … BAM!!! realization sets in, the world is the greatest punishment. life.

—Dylan Klebold

Classic Reblog.. 

A ❤ for  Robyn ? 

“Here’s all the people I’ve loved, or at least liked (or thought I loved) – all the same meaning.”


 The mystery name begins with an “R” and whoever they are, they’re listed third up from the bottom.  
I used to consider the possibility of this being Rachel Scott but there’s two important things to note here:
the blacked-out name seems just a tad tooo long and so it might fit Robyn’s with her lengthy last name of ‘Anderson’.

Secondarily, who would have been close enough in his life to garner underscoring an “R” within it’s individual heart on his list?  Where Eric had his ‘Semper Fi’ list, this may have been Dyl’s version which contained both girls that were friends and also potential girlfriends that Dylan dreamed of as more than just friends.  He cared for his female friends as ‘a like’, and yes..to both like and care for, would also equate “love” in an all-encompassing sense of the word  – simply because in Dylan’s mind, to like and/or love is “all the same meaning”.  In theory, Devon would also have been somewhere on this list too – only she was not as close to Dylan heart to earn the significance of a letter within her designated heart.  Anyway…this popped in my head the other day after all the Robyn Asks I’d been getting (which seems to be rather cyclical ;)) ..  It seems a likely possibility that it could potentially be none other than Robyn Anderson given the factors mentioned above  – but of course, it’s also still simply speculative.

.  

what are some songs that remind you of dylan? no, i don’t mean songs that he personally liked or anything. is there a song whose lyrics remind you personally of him?

Mm, there’s a few songs that personally remind me of Dyl.  Some are just parts of a song that bring him to mind while others are the entire song – with some, it’s more the melody and not necessarily that the lyrics click perfectly on rare occasion, as with this one, both the melody and the lyrics are achingly beautiful and fit Him perfectly. This song really feels ‘like him’ to me –  it’s like his energetic vibe – sort of slow and lethargic in tempo with an shifting internal, emotional landscape that matches the clandestine confines of his journal. There’s just this swirling sense of loneliness, melancholy and longing about this piece. It is the God of Sadness, both The Hermit and Ponderer, the solitary intelligence observing others, the world, from afar and yearning for what he feels he cannot be part of,  on his quest down the never-ending Lost Highway seeking everlasting love and a sense of completion.Dyl laments “The letters he’d written never meaning to send.” and yet, in the next breath within his journal, he declares passionately from his metaphorical mountain top in clandestine passion, ‘he loves her!!  The entire mood  (pun intended ;)) of the song is poetic and lush. I got shivers the moment I had heard it while out one day when It dawned on me that this was the embodiment of Dyl’s essence. Of course, I knew this song. It’s been around as a classic from the late sixties during the hippy heyday which couldn’t be more perfect since I tend to instinctively equate Dyl with having been born-too-late as my feeling is that the true core of his being was that of a peace, free-thinking lovelorn nineties hippy who knew his highly evolved truth but had lost his way, wandered from it, in his short struggled existence in humanity.

“Nights In White Satin" by the Moody Blues

Nights in white satin,
Never reaching the end,
Letters I’ve written,
Never meaning to send.

Beauty I’d always missed
With these eyes before,
Just what the truth isI
can’t say anymore.‘

Cause I love you,Yes, I love you,Oh, how, I love you.

Gazing at people,
Some hand in hand,
Just what I’m going thru
They can understand.
Some try to tell me
Thoughts they cannot defend,
Just what you want to be
You will be in the end,

And I love you,Yes, I love you,Oh, how, I love you.Oh, how, I love you.

Nights in white satin,
Never reaching the end,
Letters I’ve written,
Never meaning to send.
Beauty I’d always missed
With these eyes before,
Just what the truth is
I can’t say anymore.

‘Cause I love you,Yes, I love you,
Oh, how, I love you.Oh, how, I love you.‘

Cause I love you,Yes, I love you,
Oh, how, I love you.Oh, how, I love you…..

More insight on the Klebolds and Harrises shortly after 4/20

thedogdaysuniverse:

LITTLETON, Colo. – Until their sons launched a bloody rampage on Columbine High School Tuesday, both the Harris and Klebold families appeared to be living their versions of the American dream.
Thomas and Susan Klebold resided in a spacious, glass-and-cedar house nestled into a bluff near Dear Creek Canyon. They drove BMWs, enjoyed challenging careers and were blessed with two bright, healthy sons.
Wayne and Katherine Harris had settled into a comfortable cul-de-sac here three years ago after he retired from a military career that had them travel across the country. They enjoyed working in their yard and were looking forward to the graduation of their younger son, Eric, in just three weeks.
Nothing in their lives seemed to indicate that their sons, Eric Harris and Dylan Klebold, would soon be responsible for the deadliest school shooting in U.S. history.
“I never dreamed this could happen, not in the least,” said Bill Konen, who lived next door to the Harrises.
[…]
In his parents, Dylan Klebold appeared to have two strong role models. His father, Thomas, 52, is a self-employed geophysicist in the gas-and-oil field, while his mother, Susan, 50, helps run a program through Colorado Community College that trains disabled persons for employment. The parents also run Fountain Real Estate Mortgage Management, through which they buy and restore properties. They have an older son, Byron.
Ed Berg, a geophysicist who worked in a gas-and-oil exploration partnership with Mr. Klebold for five years, praised him as an intelligent, well-respected member of the professional community and an involved father. “Tom talked about having arguments with his son, but it was the typical father’s frustration with typical teen behaviour,” said Mr. Berg.
He said it would have been typical of Mr. Klebold to support counselling for his son. Dylan underwent anger management and other counselling as part of a juvenile intervention program after an arrest last year for attempted car theft, said authorities.
“This business about, ‘How could he not know about what his son is doing?’ Well, clearly Tom as aware something was wrong and he was trying to do something about it,” said Mr. Berg.
He also described Mr. Klebold as a political liberal who probably supported gun control, although Mr. Berg said he had never asked him his position on the issue.
“He’s a democrat, probably more liberal than I am,” said Mr. Berg. “I would expect he wouldn’t have a gun in his house.”
[…]
[On the Harrises:] Neighbors said both parents worked full time, but were unfamiliar with their careers. Mrs. Harris, 49, was often seen working in their yard, sometimes with their dog, Sparky, and the couple was friendly, if somewhat remote.
“We didn’t see them a whole lot. They kept to themselves, but that’s not unusual around here,” said Mr. Konen. “I’d see Major Harris in the yard, and he seemed very pleasant. He’d give me a big smile and wave.”
Their older son, Kevin, visited home on breaks from college. For the past year, Dylan was a regular at the Harris house, his black BMW a fixture in their driveway.
“Dylan drove pretty fast, but Eric was pretty good,” said neighbour Allison Good, 13. “Dylan would come over a lot – almost every day.”
[…]
Excerpts from “’Ideal’ families spawned the shooting horror”, Valerie Richardson, The Washington Times, April 23, 1999

[Source]

indigo-intj:

Dylan’s very clever examples for how to write a bibliography. This is attached to his notes for the Manson essay. I like how Dylan always wrote what he wanted to, even if it wasn’t necessarily very appropriate. Definitely an individual, and probably bored as hell here and trying to entertain himself.

Works cited – Dylan Klebold style..  WAWAWA  😉

Notes: 2 types: works cited card, note cards #2
Book     Mamma, Jo Fat.  Wheat Thicks were Eaten
            Nigeria: Eggrolling Books, 1991.

Mag      Mamma, Jo. “old money is owed to Moses”.  #3
            Stick Choppers Quarterly  2, February 1912  12+

Int        “Tribe of Niggaz”  On-line. Available: www.fuckheads.com.
            9 September 1999. 
                        quote of find