
The Everything – April 15, 1997
Dylan further explorers the topic of existence and attempts to define how his life relates to it.
The Transceiver of Everything
“Existence….what a strange word. He, set out by determination & curiosity, knows no existence, knows nothing relevant to himself. The petty declarations of others & everything on this world, in this world, he knows the answers to. Yet they have no purpose to him. He seeks knowledge of the unthinkable, of the undefineable, of the unknown. He explores the everything… using his mind, the most powerful tool known to him. Not a physical barrier blocking the limits of exploration, time thru thought thru dimensions… the everything is his realm. Yet, the more he thinks, hoping to find answers to his questions, the more come up. Amazingly, the petty things mean much to him at this time, how he wants to be normal, not this transceiver of the everything. Then occurring to him, the answer. How everything is connected yet separate. By experiencing the petty others’ actions, reactions, emotions, doings, and thoughts, he gets a mental picture of what, in his mind, is a cycle.”
Existence is indeed a strange word. The word existence comes from the Latin existere or exsistere (ex sistere) which means “stand forth, come out, emerge; appear, be visible, come to light; arise, be produced; turn into.”
Compare Dylan’s statement “He explores (…) through dimensions…” with Heraclitus: “Wisdom is the oneness of mind that guides and permeates all things.” Assuming Dylan was writing about himself, this quest to seek “knowledge of the unthinkable” is in other words his desire to understand abstract reality. As the language of mathematics shows, some thoughts or ideas cannot be expressed in words, they are in a sense “unthinkable” but nonetheless part of the world around us.
Dylan’s intelligence bothers him. He is consciously aware how of much more intelligent he is compared to his peers. But trying to be normal means to act his part by “experiencing the petty others’ actions, reactions, emotions, doings and thoughts.” He immersed himself in human nature, or his view thereof, an expression of his desire to be free of intellectual anxiety. He wishes to be like most people who do not question the world around them.
The “mental picture of a cycle” that is the result of answers leading to more questions and so forth, has a deeper meaning. Accompanying his text, Dylan frequently drew what he called a “thought box” and he drew what resembles a mollusk shell that twists clockwise. One of these drawings includes a note that reads “goes on infinitely” with an arrow pointing inwards. Dylan probably meant that the cycle refers to the infinite loop of questions and answers. For example: Why do we go to school? Because we need an education. Why do we need an education? Because society needs educated people. Why does society need educated people? This line of questioning has neither beginning nor end and could be what Dylan’s inquisitive mind continuously produced.
Dylan’s discovered that we can break out of circular logic, such as “teenagers go to school because society needs skilled workers: society has skilled workers because teenagers go to school”. When we do, we open up endless new questions and potential answers. Therefore, we must conclude the unthinkable, namely that the universe is unknowable because we can never answer all questions.
The Hall of Existence
“Existence is a great hall, life is one of the rooms, death is passing thru the doors, & the ever-existent compulsion of everything is the curiosity to keep moving down the hall, thru the doors, exploring rooms, down this never-ending hall. Questions make answers, answers conceive questions, and at long last he is content."
People are not primarily driven by hunger, emotion, sleep or sex, but by the curiosity of the mind to explore such things in life.
"Existence is a great hall,” reminds of Valhalla, the hall of fallen heroes in Nordic mythology. "Ever-existent compulsion of everything" means the entropy of the universe, the arrow of time, always moving compulsively.
Concerning “death is passing through the doors”, villian Vigo expressed a similar sentiment in the Hollywood production of Ghostbusters II: “Death is but a door. Time is but a window.” Perhaps Dylan had watched it too. The idea of death as a door is also expressed in Christian religion, where St. Peter guards the entrance of heaven. And people with near-death experiences often describe that they passed through a tunnel towards a bright light (induced by hallucination). The “never-ending hall”, eternal existence, is also a tunnel.
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