In Vodka, Adams remembered Columbine killer Dylan Klebold. A different, younger Dylan who swam and played and danced. Oh Devon, Thorn said, after Adams finished “that must have been hard for you, God, I’m so proud of you guys!” Later, Adams wondered out loud whether people would really want to hear the poems. Whether they might rather ignore and forget.

Columbine pupils to share poems
Writing to heal, four to read works at Auraria coffee shop

A Passing Sense of Magic

“There’s a standard story. Almost a script now, after so many years, but still a story then. The confusion, chaos, uncertainty, fear, running, screaming, searching, calling out. Being found, being lost. The numbness and the rain and the lights and the insensitivity. So much so fast.

"Then I told him about other things, things that happened before. My Subway sandwich disappearing and Rachel being so upset. The expressive way she spoke – so expressive that it literally blew her skirt off. Her speech piece about having sex with a piece of toast. That she had been liked by everyone but her family until after her death. At least, that’s what we thought. That I had lost it at her funeral and laughed and laughed as they played the theme from Titanic, her most-hated song. And that she had been friends with the boy who had a hand in killing her. That he wasn’t a monster until that day.
And that I hadn’t just lost her, I had lost him. And, while I got to say goodbye to Rachel, Dylan had been buried without any friends near him. I had betrayed him, and in the process, I had betrayed something inside myself.”

—Devon Adams
September 30, 2008 

A Passing Sense of MagicBy

Miss Dev

Tue Sep 30, 2008 1:26 PM

I lost Rachel when I was 16-years-old. Torn out of my life like, suddenly, cruelly, irreversibly. No more laughter in the dark theatre, no more ridiculously silly situations.

I visited her often. I visited her until they closed off the back access to the cemetery and I couldn’t bear to drive past "Baby Land” any longer. The day I graduated high school, I stopped and left her my program.

I don’t remember the occasion nor the day of the week. I can’t recall if it was sunny or cloudy, warm or cold. I think was autumn – but I remember leaves on the trees.

I was sitting on Rachel’s grave, telling her all of the things that I couldn’t tell to anyone else. Filling her in on the gossip. Pretending, for myself more than for her, that she was still alive. In my peripheral, a man lingered. I was always cautious when people approached these two isolated graves. I didn’t trust them. Often they were tourists intent on experiencing something of the more gruesome part of our history, or our story here. And when they weren’t tourists and they lurked, as this man was lurking, they were media, thirty to capture some untold story. As if any of our stories remain untold. I touched the card I laid against Rachel’s gravestone (so it must of been August, her birth month) and stood.

He addressed me first. He asked if I had known her. There’s no reason to lie – especially not when one is so close to death.

“Yes.”
He nodded.
“Did you?” It wasn’t meant to be hostile, but I held an irrational protectiveness over my friend’s grave site.
“No. No, I did not.”
Then why are you here? I didn’t ask it, but he answered anyway.
I just don’t remember his answer.

But it must have satisfied me because I stayed. He asked where the teacher was buried, so I led him up the small hill to the bench marking the his resting place. We looked down over Rachel and the other student’s grave. The grass looked vibrantly green that day. It must have been cloudy else the grass would not been so stunning.

What made me open up to him? Seasoned from (one may say too) many interviews with the police, FBI, private investigators, the media, film writers, counselors, family, friends… I was used to being honest about it. About it all. No, not all. Omission is a form of dishonesty in some cases, in this it was a form of survival.

I had my wall. The things I spoke about, horrific, terrifying, sorrowful things I had created a fortress for where they could reside and I could visit them when I needed to, but I could check my emotions at the door. These were things that had happened to me, that was fact. I’ve found it’s often harder for others to connect with a story when one inserts very personal emotions into it. So I don’t. My emotions, my pain, my tears… those were things that others didn’t need to be privy to, so I stashed them away for a rainy day.

I think there were thunder clouds in the sky.

We sat. He may have asked me questions, I don’t recall. I don’t know if he pried or if I just told him what I thought he’d like to know.

There’s a standard story. Almost a script now, after so many years, but still a story then. The confusion, chaos, uncertainty, fear, running, screaming, searching, calling out. Being found, being lost. The numbness and the rain and the lights and the insensitivity. So much so fast.

Then I told him about other things, things that happened before. My Subway sandwich disappearing and Rachel being so upset. The expressive way she spoke – so expressive that it literally blew her skirt off. Her speech piece about having sex with a piece of toast. That she had been liked by everyone but her family until after her death. At least, that’s what we thought. That I had lost it at her funeral and laughed and laughed as they played the theme from Titanic, her most-hated song. And that she had been friends with the boy who had a hand in killing her. That he wasn’t a monster until that day. And that I hadn’t just lost her, I had lost him. And, while I got to say goodbye to Rachel, Dylan had been buried without any friends near him. I had betrayed him, and in the process, I had betrayed something inside myself.

How long did we sit there? How long did I weave my story, tragic and yet true, in that cemetery? How long did I allow the broken bits of me tumble out onto that cold, stone bench and down the green hill to settle like so many scattered birthday cards upon Rachel’s grave? I couldn’t tell you then, and, after all these millions of seconds, I can’t tell you now.

From this distance I would almost believe that he was a ghost. He had no car, no companion, he seemed to have materialized and, in memory, to have simply disappeared. I would think that he was nothing more than an apparition except that we embraced.

It was time to go. Hanging around the dead too long leads me down a dark road and I had to leave before I lost the light. I went to hug him goodbye, and he said the only thing that I know he said:

“When you hug a friend, always hug with your left arm raised, because it brings your hearts as close together as they can be.”

And I left. I drove away with the sense that I had just experienced something that would change me. A Moment that would be an indelible part of who I was and am for the rest of my life. But it was only after I left that I felt that. I wonder if he did, too.

As much as I miss my friends who are dead, their absence is a finality. I can never see them again, talk to them, laugh with them, touch them. They are gone. My longing for them is something different than what I feel for this man who I met for such a brief time on a dreary autumn afternoon years ago. Who was he? Where did he come from? What quality did he possess to allow me to transcend years of careful suppression?

I will probably never know. Without so much as a name or even a solid memory to begin from, there is little hope that I will know anything beyond my vaporous memories and a passing sense of magic.

And for that, I am sorry.

everlasting-contrast:

At Devon’s sixteenth birthday in July 1998, the pre-printed birthday card that Dylan gave her reads;

“What are the chances you’re getting a birthday present?” Inside, the cards says, “Between slim and nun.” A tall, slim cowboy is next to a nun.

Ahh a nice dab of mildly distasteful prewritten, pointless humor to brighten yer day AAAA?!!!,” Dylan wrote.

And because Devon had totaled her 1973 Pontiac Ventura one week before her birthday Dylan added, Happy B-Day. Don’t run me over or you’ll lose yer license and ill be pissed he he he.”

Guardian Angel?

Nearly six months after Columbine, Devon Adams called the Klebolds on what would have been Dylan’s 18th birthday, September 11, 1999.  
They still had the same phone number and she left a message.  She called to “Let them know I was thinking of them.  I was keeping them in my thoughts.  Let them know I hadn’t forgotten about them.  I hadn’t forgotten about Dylan, and I was still around.”

Devon also had a gift for the Klebolds and went to their house, where she spent a couple hours talking “about memories and stuff.”  She recounted how he helped her after her car accident.

   ”I think they thought it was pretty cool,” she said of the car story. “We were T-boned while crossing an intersection, and Dylan stopped his car and ran up to my window and was just like, ‘Are you OK? Are you OK?’ and he was freaking out, and I just told him to go get my parents and tell them to come up here and get me.” 

—Columbine: A True Story – Jeff Kass

———————————-

May 12, 2011
Personal Ghost Stories on WordPress

One of the shooters was a friend of mine

When I was in high school we had a major school shooting my sophomore year [Columbine].One of the shooters was a friend of mine and the sound designer for our theatre. The year after the shooting I was the technical director for the theatre and was the only student with a key to the space. I would go in there just to sit and think or do homework during my off hour. One day I had a really awful day with people just being creeps and went into the theatre to work on some stuff when I heard footsteps on our catwalk. The only access to the catwalk is a door in the outside hallway with only 4 existing keys (I had one, 2 teachers and the janitor had the others). Also, it is a physical impossibility to get on the catwalk without turning on the lights (which you need a key to do – to prevent students from possibly getting up there during shows). It only lasted a minute, so I thought it was my imagination. Then it started again, louder and faster. I called out, and the footsteps stopped. All of a sudden the stage lights blared on (the booth was locked, no one was in it, and the board was off) I called out my friend’s name and the lights turned off, and I didn’t hear anything else.

There was another time when this guy’s ex best friend (Zach Heckler) and I were driving down from the mountains going really fast, when a black BMW like the one this guy used to drive zoomed by us, then pulled in front of us and slowed down, making us slow down as well. No matter what we did we could not pass him, speed up, or see who it was. In about 10 minutes we hit a freak snow storm, and would have spun out if we were going faster. Just after we went thru, there was a 25-car pile up. We didn’t see the BMW after getting thru the storm.

Freaky weird. And true. And stuff like that kept happening.

———
Hm. Wonder what else has happened since?

Published on Youtube – Nov 2, 2013

Former AfA youth poet and Columbine student Dev Adams, talks about her experience in the Phoenix Rising program and reads a recent poem about that experience at the Art from Ashes at the 10th Anniversary Soirée on October 24, 2013, at Skylite Station.

Devon Adams is still very much grappling with the aftermath and ripple effects of the tragedy and losing three friends even today at 31.  She struggles with being on both sides of the fence: friends with the victims – including Rachel Scott and “best friends” with the shooter, Dylan Klebold.  

It’s interesting to note that she mentions someone on Tumblr portraying her as a roleplayer and doing a better job of herself then she would. *g*  I do recall seeing that blog over a year ago and then it was abruptly yanked. 

crimeandcolumbine:

Dylan had on his coat and those glasses. And as Sue looked around the restaurant she thought people were uncomfortable and were afraid of him, so she said: “Dylan, people are afraid of you with that on, you need to take it off” and he just smiled at her. I think when he got that coat it’s the first time he ever felt power in his life.
– From the documentary The Columbine Killers, 2007.

I believe it was Judy Brown that said this.

ericharrisblog:

The mud incident

“We were outside, playing in the leftover snow from a few days before. As we ran around, I found a big patch of ice that was starting to melt but was still plenty solid enough to play with.

"Hey, Dylan!” I said. “Come here!” By the time Dylan arrived, I was already bouncing and sliding on the slushy patch. Dylan gamely joined in, our feet smashing little spiderwebs into the ice as it buckled under our weight.

Dylan’s foot crashed down on a corner of the ice and made the whole patch shift. It tipped into a puddle underneath, which splashed a good amount of muddy water into the air. A girl in our class was standing nearby, wearing a brand-new coat her parents had just given her, the mud left a jagged brown stripe right down the front of it.

It was an accident. We hadn’t thought the ice was going to do that. But our classmate took one look at her ruined coat and started screaming.

The second grade teacher immediately ran over to assess what was happening.

[…] We tried to get the teacher to listen to us, but she ordered us to be quiet as she carried the girl’s coat into the bathroom.

Both of us were bawling by the time she had us at the sink, wetting a toothbrush. She put the coat in Dylan’s hands. “I want this cleaned!” she ordered. “You two will stay in here and scrub that mud off, and you’re not leaving until I say you’re finishes!”
Choking back our tears, we took up the brush and started working. We quickly discovered that using a toothbrush on mud wasn’t very efficient – but we didn’t have any choice. Both of us continued to cry, our ears burning red from the embarrassment of being yelled at, of our teacher’s spiteful glare, of people looking at us as we worked.

“It’s not coming out!” Dylan kept saying, rubbing the same spot for what seemed like the 500th time.

“We have to get it,” I remember saying in response. I just kept repeating that. “We have to get it.”No Easy Answers